Niemen was born in Stare Wasiliszki in the Nowogródek Voivodeship of the Second Polish Republic (now in the Grodno Region of Belarus). Czesław Niemen belonged to a community of Poles, living outside the eastern borders of contemporary Poland, on the eastern lands of the historical Polish-Lithuanian Commonwealth (called 'Kresy' - 'borderlands' - in Polish).
In the dawn of World War II these ethnic Belarusian lands were annexed by the Soviet Union and became a part of Belorussian SSR, according to Europe's post-war reorganization performed during the Yalta Conference.
1960s
He made his debut in the early 1960s, singing Polish rock and soul music. He possessed an unusually wide voice range and equally rich intonation. He was also an ardent composer and a keyboard player.
In 1964 at Congress Hall, Warsaw, Niemen, together with his group, played as a support act to Marlene Dietrich during her concert. She heard his song "Czy mnie jeszcze pamiętasz" ("Do you still remember me?") there. She enjoyed it so much that she soon recorded her own version of it "Mutter, Hast du Mir Vergeben" ("Mother, have you forgiven me?") writing her own lyrics for the song.
Soon after his first successful concerts in France, he started to use the pseudonym Niemen instead of his real name, gaining wider notoriety in Poland and making it easier to pronounce by foreigners (Niemen is a Polish pronunciation of the Neman River, which flows in close proximity to his place of birth). His song of 1967, "Dziwny jest ten świat" (Strange Is This World) is commonly acknowledged to be the most important Polish protest song of that era (in 1972 an English version was also recorded). The song was influenced by the American blues tradition. He was one of the first Polish performers to wear long hair and colourful clothes and introduced the style of psychedelia to communist Poland, which annoyed the officials.
The first three LP album's Niemen recorded with his band "Akwarele" (Watercolours). Subsequently, he recorded with his other new bands: "Enigmatic", "Grupa Niemen" and "Aerolit". In 1969 he changed musical style to progressive rock while recording the monumental album Enigmatic. The most notable song from it was "Bema pamięci żałobny rapsod" (A Mournful Rhapsody in Memory of Józef Bem), based on the 19th century poem by Cyprian Kamil Norwid. The rest of Enigmatic songs were also in sung poetry form. Niemen played Hammond organ, later mellotron and Moog synthesizer on his records.
1970s
In the early 1970s, Niemen recorded three English language albums under the CBS label, two of them (and three more in Poland) with the Silesian band SBB. With SBB Niemen performed at the Rock & Jazz Now! opening show for the 1972 Summer Olympics in Munich sharing the stage with Mahavishnu Orchestra, John McLaughlin and Charles Mingus and subsequently toured with the band of Jack Bruce. In 1972 he also contributed with a song performed by him in Wesele (The Wedding) by director Andrzej Wajda, laureate of an honorary Oscar. In 1974 he recorded Mourner's Rhapsody with Jan Hammer and Rick Laird from Mahavishnu Orchestra. In the seventies, Niemen turned to jazz-rock fusion and electronic music (Katharsis album).
Later years and death
Niemen went on to compose film soundtracks and theater music, and in the 1990s he showed interest in art, painting and computer graphics. He died of cancer on January 17, 2004 in Warsaw. His remains were cremated and placed in a columbarium niche on Powązki Cemetery in Warsaw on January 30, 2004.
Legia Warsaw
Nowadays you still hear his songs on the radio, these still get airtime. Next to this one of his most famous songs is about Warsaw, 'Sen o Warszawie' is the title. It means 'dreaming of Warsaw' and is the anthem of football club Legia Warszawa. Every home game this songs is blasting through the speakers and all fans are belching out its lyrics, really nice.
A nice end of this week's blog post...
Source: Wikipedia
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